A couple's relationship is tested when uninvited guests arrive at their home, disrupting their tranquil existence.
In the period of ninteen-year-old lust, repeater Jin-goo enjoys an erotic moment to himself while thinking about his pretty English tutor. Then one day, he is caught in the middle of an embarassing moment and become awkward with her. However, this becomes an opportunity and she starts teaching him sex. Their replationship becomes uncontrollable romance. However, she quits the tutoring and the relationship to get married. Time goes and Jin-goo is a grown up. He's used to thoughtless sex. However, his partner of benefit gets pregnant so he meets his future-mother-in-law to talk about marriage. However, she's so beautiful and sexy. He moves in with the in-laws but soon breaks out of the marrige due to his wife's fling. The mother-in-law doesn't know how to make it up to him for what her daughter has done. Jin-goo suggests something dangerous...
After two failed marriages a science fiction writer decides that coming to terms with his mother will improve his chances for a successful relationship, so he moves in with her.
Upon her retirement from being a school teacher, a mother slowly realizes that her children are already grown-up and she now is faced with the dilemna of being part of their lives
The lives of three women have a commonality: adoption. Karen is a physical therapist who regrets that, as a teenager, she gave up her daughter for adoption. Elizabeth was an adopted child and is now a successful lawyer, but her personal life lacks warmth. Lucy and her husband have failed to conceive and now hope to adopt a baby to make their family complete.
The social ferment in late 19th century Russia which led to the 1917 Russian Revolution is movingly portrayed in this lengthy historical drama, which is very faithful to the 1907 novel The Mother by the celebrated Marxist writer Maxim Gorky (1868-1936). In the story, "the mother" (Inna Tchourikova) has no other recourse than to watch her decent, kindly husband turn into an animalistic, drunken brute as a result of working in the inhuman conditions of a steel mill in the town of Sormovo. When he begins to express his suppressed rage by beating her, she is defended by her teenaged son Pavel (depicted Viktor Rakov as an adult, Sacha Chichonok as a boy). After his father's death, Pavel is forced to go to work in the same factory. However, Pavel and his friends begin investigating Marxism and socialist thought, and work to organize their fellow workers.
Okaasan is the story of a poor, working class mother with a sick husband who sacrifices herself to support her family in suburban Tokyo. The film defines "Shomin Geki," a Japanese film genre that features realistic depiction of the economic underclass, told with elements of light comedy and melodrama. Okaasan is the best-known work of director Mikio Naruse, hailed by Japanese film historians as an equal of Kurosawa, Ozu and Mizoguchi, but under-appreciated in the West
Mariko Miyagi's documentary about everyday life at the school she founded, Silktree (Nemunoki).
A precocious orphan from Central Asia comes to America to find his long lost mother. Along the way he befriends a down on his luck small time hustler, and together they set in motion a daring scheme to solve all their problems. However, things don't go according to plan.
Based on the myth of Frau Perchta, a witch that comes on the 12 days of Christmas taking children each night.
Twenty-year-old Soon-jae has a young mother named Ji-yoon that's like a sister to him. Right next door live a mother and son the same age as them; Ji-yoon's friend Yeong-joo and her twenty-year-old son Jae-yeong. The sons fall for each others' mothers.
A mother lives quietly with her twenty-eight-year-old son, Do-joon, providing herbs and acupuncture to neighbors. One day, a girl is brutally murdered, and Do-joon is charged with the killing. Now, it's his mother's call whether to prove him innocent or to leave him imprisoned.
A grandmother has a passionate affair with a man half her age, who is also sleeping with her daughter.
The film progresses along two distinct but interwoven series of events. The first series involves young members of a family who have gathered round their old mother and revive their common childhood memories. the second line focuses on the old woman's preparations for her last journey and her joyous cooperation in arranging for the ceremonies that are to be observed after her death.
Is my ex-girlfriend my girlfriend's mother?! Kyeong-joon is driven out to the streets as he can't afford the rising rent. His girlfriend Ji-hye takes pity of him as he has nowhere to go and offers him to stay at her house. However, the woman who greets them at the door is his first love Ji-yeong! Ji-yeong taught Kyeong-joon about love and she was Ji-hye's step-mother. Living under the same roof, he feels something for her again while his girlfriend is also hot.
A Slovenian mother takes her addicted and self-destructive daughter with her to a remote Italian village. Isolation as attempted salvation. Inspired by Proust, Skafar turns this theme into a gentle and beautiful film, a poem about two souls in which the unutterable slowly comes to the surface.
The young mother who came to shake her mother came! The granddaughter who lives on the man's house is attracted to her 25 year-old young mother. Busty chest, lumbar lumbar waist, and a bunch of angry ass! A young mother-in-law who boasts a good body. In addition, she is also interested in Taiho, but he keeps pushing the hand of the temptation. On the weekend when the elderly man and wife vacate the house, Taiho and his young mother-in-law fall into a taboo desire.
A young robot meets a lost, distressed child who disrupts his daily routine. Little did he know that this child will introduce him to an absence in his life that he will desperately try to fill.
How I Met Your Mother is an American sitcom that originally aired on CBS from September 19, 2005, to March 31, 2014. The series follows the main character, Ted Mosby, and his group of friends in Manhattan. As a framing device, Ted, in the year 2030, recounts to his son and daughter the events that led to his meeting their mother.