Feedback 2014

A 27-year-old woman struggles with identity amid modern city life.

Feedback 1999

Feedback was Transworld Skateboarding's eighth video and featured Chad Muska, Andrew Reynolds, Arto Saari, Geoff Rowley, Neal Mims, Jason Dill, Anthony Van Engelen, Bam Margera, Kerry Getz and Mike Maldonado.


We want it. We buy it. We eat it. We swallow it down whole. But what does our body see when we stick it in our mouth?

Feedback 1978

Low budget drama centering on unscrupulous political Machiavellians in the Soviet Union.

Bottom Feeder 2007

A group of utility workers are trapped in a series of tunnels which, unfortunately, contain a scientist mutated by his own creation. The creature feeds instantly on a rat, becoming what it has eaten.

Feedin' the Kiddie 1957

Jerry and Tuffy lead the quest to thanksgiving. All the sudden, Tom sneaks into the dinning room to destroy Jerry and Tuffy. So, Jerry, Tuffy and Tom battle over thanksgiving. In the end, Jerry, Tuffy and Tom would agree to eat the whole turkey but Tuffy decides to ate the whole turkey.

Feeding Frenzy 2010

A mysterious old man named Mr. Plinkett is keeping a deep dark secret locked away in the basement of a small-town hardware store: vicious, flesh-eating creatures with a mysterious past. Once these creatures escape, all hell breaks loose and it's up to Jesse, an incompetent hardware store employee, to stop them from turning the town into a feeding frenzy!

The Feeding 2006

A werewolf pursues campers in the Appalachian Mountains. Consumed by its legendary bloodlust, the creature begins the hunt for its oldest and most dangerous prey: Man. Special Agent Jack Driscoll has seen this before. The beast is his obsession and his nightmare. Now, he and his new partner must race against the rising moon to save a group of unsuspecting campers. Outmatched and unarmed, the frightened group must rally themselves to survive the night. As their numbers dwindle and their strength wanes, the group scrambles to answer the only question that will save their lives; how do you kill the unkillable?

Feedstock 2015

A reflection on the closing of a company and a fight that many say wasn’t in vain. A world of files and records abandoned in obsolete factories in the county of Marinha Grande, where the glass industry was once alive.

Feeding Time 2016

When a young woman fills in for her friend on a babysitting job, she begins to suspect things are not as they seem. She's right.

Bottom Feeders 2014

Bottom Feeders offers a glimpse into an imagined ecosystem generated from stream of consciousness doodlings. Divided by a barrier of fog, two disparate species fight to adapt and survive in a deliciously unsympathetic world.

criminal minds 1998

Life on the food chain keeps sinking lower after a vicious, inept gang of psychopaths and misfits seriously bungles a high-stakes heist. Now the hapless ex-con who's left holding the bag finds himself the target of not only crooked cops, but also his fellow thieves, an efficient hit man and the scariest redneck clan this side of "Deliverance"!

Night Feeder 1988

A hateful and massively enjoyable shot-on-video darkwave horror blast from the leather-clad armpits of the Bay Area. This gore-scarred, creature-fueled whodunnit culminates in one of the most rewarding slasher reveals in camcorder history, but the journey is every bit as powerful. Especially when the singer of coal-hearted gothpunk combo The Nuns stares directly into the camera and croons: “You SLIT your WRISTS. You fuckin’ BITCH.” A staggering celebration of drugs, fear and new wave rage, Night Feeder was completed at the tail end of San Francisco’s robust post-punk era and was only ever released on PAL-format VHS in Poland. Featuring effects that rival Hollywood’s best gore-monsterwork, it’s a nasal, vicious battle cry and one of the best homemade horror films you’ll ever see, hands down.

Feeding Billy 1997

Group of friends go on vacation in a rural area, find unspeakable horror, a lot of them die violently, blah blah blah.

Film Feedback 1974

Negative image is shot from a small rear-projection screen, the film comes out of the camera continuously (in the dark room) and is immediately processed, dried, and projected on the screen.

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